Anirudh Ravichander dissects his musical journey with Anupama Chopra, with a tour of his incredible garage studio. From his debut sensation "Why This Kolaveri Di", to orchestrating scores for blockbuster films like Jawan, Jailer, Vikram & Leo - the composer takes us through his collaborations with eminent directors like Atlee, Lokesh Kanagaraj, Nelson. He also tells us about the process of creating for superstars like Rajinikanth, Kamal Haasan and Shah Rukh Khan.

#jawan #jailer #anirudh

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00:00 Interview with Anirudh Ravichander
00:41 Inside Anirudh Ravichander's Studio
05:31 Composing for Jawan, Jailer & Leo
06:54 Team of Anirudh
08:00 "I never listen to 3 hours of narration."
10:10 Process of Anirudh Ravichander
14:45 Anirudh on creative blocks
16:20 How do song melodies come to Anirudh?
19:00 BTS story of "Why This Kolaveri Di?"
20:00 Background Music for Films
22:08 Anirudh on "Jailer" & Rajinikanth
24:00 Why do directors appreciate Anirudh?
27:25 How does Background Music save films?
33:00 Experience of Working with Atlee, Lokesh Kanagaraj, and Nelson
36:46 Anirudh on staying humble after "Why This Kolaveri Di?"
41:20 How did Anirudh choose the script?
44:50 Why doesn't Anirudh talk about music at home?
47:08 Why does Anirudh work on music at night only?
49:50 Why doesn't Anirudh charge for singing?
52:51 What scares Anirudh...
55:00 Anirudh on making viral songs
56:50 Why doesn't Anirudh do interviews?

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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.