Arpeggios and scales are often reduced to the notes they contain against a chord, but by doing that you throw away other information that is more important for the sound of your jazz solo, and this is something you want to be aware of and not miss.

It is a way to get so much more out of scales and even pentatonic scales that you already know because you can use them in a different way.

7 Pentatonic Tricks That Will Make You Play Better Jazz Solos
https://www.youtube.com/watch?v=TMLd2CKsbK0&list=PLWYuNvZPqqcETPNs-rb_np8MqLCwSIxBi&index=1



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Content:
0:00 Intro
0:49 What is the difference? It's easy to hear.
01:28 The Scale and a Diatonic Arpeggio exercise
02:34 Using this on the Am7 chord
03:06 The Am7 is not Dorian (Get over it...)
04:06 Example using Quartal Arpeggios on Am7
04:25 Am pentatonic scale and an important exercise
05:03 Example using the Pentatonic scale
05:30 Quartal Arpeggios on Altered Dominants
07:17 The Pentatonic scale is amazing!
07:25 Like the video? Check out my Patreon page



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My name is Jens Larsen, Danish Jazz Guitarist, and Educator. The videos on this channel will help you explore and enjoy Jazz. Some of it is how to play jazz guitar, but other videos are more on Music Theory like Jazz Chords or advice on how to practice and learn Jazz, on guitar or any other instrument.

The videos are mostly jazz guitar lessons, but also music theory, analysis of songs and videos on jazz guitars.

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