Mesmerizing rendition of Raag Gaud Malhar by Vidushi Dr. Ashwini Bhide Deshpande.
This rendition is the part of Ashwini-Bhide-Deshpande – Golden Raga Collection lll,
You can find rendition of Raag Multani and Kabir Bhajan from the same recording at following links:
Raag Multani: https://youtu.be/ira7tTr3VOo
Kabir Bhajan: https://youtu.be/XWQLhDTmxkU

00:00 - Vilambit Kahayal: Maan Na Kariye
12:36 - Drut Kahayal: Barkha Bairi Bhayo
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Raga: Raga Gaud Malhar
Taal: Teen Taal
Composition: Maan Na Kariye Gori
Barkha Bairi Bhayo Sajaniya
Composer: Traditional
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tanpura: Smt. Saniya Kulkarni
Tabla: Shree. Bharat Kamat
Harmonium: Shree. Arvind Thatte
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📝Lyrics:

*********** Maan Na Kariye **************

मान न करीये गोरी,
तुमरे कारन आयो मेहा |

हरी हरी भूमी पर,
बरसो ही छाये,
ए नयी नार, नयो मेहा ||

********** Barkha Bairi Bhayo ************

बरखा बैरी भयो सजनीया,
जाने ना देत मोहे पी की नगरीया |

गरज गरज बरसे बदरीया,
चमकन लागी पापी बिजुरीया ||
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About Artists:

Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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